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How does the ear maintain its spectacular performance despite age, trauma and environmental challenge?

This website serves as a hub for the scientific work of Eric Le Page, PhD, aiming to provide an overview of the regulation of cochlear performance and add new hypotheses.

Readers may appreciate some extended discussion on the purpose of the site as well as information about the book entitled “The Mechanics of Cochlear Homeostasis” and some more thoughts on specific topics of interest.


Current scientific work includes:

  • LePage MoH2017 A role for the otoliths in the mechanics of cochlear homeostasis? submitted May 1st, 2017 for, and presented at the Mechanics of Hearing Workshop, Brock University, Ontario, Canada 18-24 June 2017.  [Summary: For most of the history of hearing science, the cochlea and the vestibular apparatus have been regarded as essentially separate systems in the one bony capsule.  By using a computational model this article illustrates the possibility of considerable functional overlap.  As such it seems a good example of exaptation in which a new function has evolved by using morphology and/or mechanisms already established].
  • Videos of the Lagena model to be presented at Mechanics of Hearing Workshop, Brock University, Ontario, Canada, 19-26 June 2017.   The vestibular apparatus is strongly associated with sensation of balance, rotation and acceleration.   The shear sensitivity of the inertial otoliths is thought responsible specifically for sensing translational movement.  The video demonstrations below show that the otoliths likely have two modes, the second being sensitivity to ambient pressure.  We are not normally aware of this form of stimulus except when the newly-proposed inner-ear mechanism (below) fails.   This mechanism compensates for normal variations of static ambient pressure.  The symptoms of failure are likely vestibular disturbance.
  • The context of acoustic pressures within the bigger picture.
    • All pressure (and stress) has the same dimensions (ML-1T-2), be it atmospheric air pressure, ocean pressure or sound pressure.   However, the units of pressure have historically varied with the particular application e.g. atmospheres, pounds per square inch, centimeters of water, millimeters of mercury and millbars, vacuums in torr, etc.  Despite the adoption of the SI unit of the Pascal, many different units continue to be used if, within any application, the numbers of those units deliver a better sense of range or precision, or are more memorable (e.g. cardiovascular or intraocular pressures in mmHg).
    • Here is a one page comparison of many common ranges of pressure against the standard Pascal (Pa = 1 newton/metre2):  Cross Comparison of Pressure Units – LePage2017.   The three panels assist cross comparison of acoustical pressures, biological pressures and environmental pressures, with typical values shown.  The point of this exercise is that mammalian hearing maintains its normal sensitivity within a close tolerance, despite ambient pressure variation 5 to 12 orders of magnitude larger than acoustic pressures.  How is this achieved?  It seems unrealistic to continue to presume that passive high pass filtering can cope with such a huge range and variability.
  • On a sunny calm day how does atmospheric pressure vary from minute to minute, second to second?  In this document are three figures:
    • Fig.1) The atmospheric pressure is around 1019mbar (= 101.9 hPa), but it typically varies by ±5hPa, with on record, extreme weather variations from 870 to 1086mBar.
    • Fig.2) How does atmospheric pressure vary inside an elevator ascending and descending 10 floors?  Typically up to 3mbar.
    • Fig.3)  What is the rate of change of those elevator rides in Pa/second?  Typically 20to30 Pa/s.   Burswood Elevator Ride 20170527 atmospheric pressure 
    • The need to internally compensate for atmospheric pressure variation in the process of stabilising hearing sensitivity.  The inner and outer hair cells are acutely sensitive to static position of the basilar membrane.  Since ambient pressure variation is normally fairly slow, achieving this manner of equalisation between cochlear chambers can be managed with osmoregulation.
  • Short video (no sound) of the first demonstration from the mathematical model, viz. showing by example how an assumed configuration for an otolith leads directly to how motion of the inertial mass is detected by the hair cells in the striola region.  The calyx and dimorph cells will deliver phasic responses to the vestibular nucleus from which is derived the sense of acceleration.  While physiological experiments in animals have shown this outcome, this is the first time it is explained (in  the preceding reference) how it is likely achieved.  The moving notch tracing out the locus represents the local kinocilia deflections within the striola region.
  • LePage podium presentation for ARO_MWM2016_SanDiego 23Feb2016
  • Modeling Scala Media as a Pressure Vessel
  • Direct testing of the biasing effect of manipulations of endolymphatic pressure on cochlear mechanical function
  • A retrospective on studies on cochlear mechanics, otoacoustic emissions and hearing loss due to overexposure – a model for dynamic mapping  (Proceedings article of an invited keynote address for the Audio Engineering Society workshop, “Music induced hearing disability” held in Aalborg, end June 2015).

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Website developed with help and insights from Michael Le Page, Ph.D. (www.mikelepage.com)